TRAJECTORY
1982
Ana Elisa was born in Belo Horizonte, Brazil, on December 18, 1982. From a young age, she showed a talent for the visual arts and participated in several courses. Influenced by her mother and grandmother, she explored figurative themes and still lifes in fabric and porcelain, always seeking new materials and techniques.
2008
He graduated with a Law degree in 2008 from FUMEC University and holds a master’s degree in Administration from PUC MINAS. Ana Elisa began her corporate career in Tax Consulting at PricewaterhouseCoopers (PwC) and later joined Fundação Dom Cabral (FDC), where she solidified her role as an Educational Project Manager. Despite her professional success, she never felt that this was her true calling.
2017
In 2017, after becoming a mother and moving to a new country, Ana Elisa had the opportunity to reconnect with her artistic essence. She studied Art History and the techniques of renowned artists, which marked the beginning of her career as a visual artist.
2020
In 2021, Ana Elisa took over the executive production and stood out at national and international fairs, such as the Salon d’Art Contemporain in Montreux, Switzerland.
2021
In 2021, Ana Elisa took over the executive production, standing out at national and international fairs, such as the Salon d’art contemporain in Montreux, Switzerland.
2022
In 2022, Ana Elisa started researching the production of her own paints using non-toxic ingredients due to an allergy to conventional paints. She discovered pigments derived from stones and minerals found in Cidade do Serro, Minas Gerais, marking the beginning of a new phase in her artistic career.
Having difficulty grinding stones by hand, Ana Elisa sought resources for her research. During this process, she discovered that mining companies had substantial quantities of minerals classified as “sterile”—materials without commercial value for mining but highly valuable for paint production. She began to acquire small amounts of these materials, enough to support her artistic creations.
2023
Their sustainable work has drawn attention worldwide, resulting in invitations to exhibitions and workshops in several Brazilian embassies.
In 2023, Ana Elisa exhibited 40 works produced from non-toxic pigments at the Embassy of Brazil in London, one of which is listed as a public heritage site by Itamaraty.
“Colour Diving”, exhibition at the Brazilian embassy in London, United Kingdom, in 2023
2024
In March 2024, Ana Elisa presented an unprecedented installation at the Museu Mineiro in her homeland, Minas General. The works were impressive due to their size, almost 10 meters long, and were completely created from natural pigments produced by the artist herself. Furthermore, this year, it already has confirmed participation in EXPO IBRAM, Casa Cor Minas Gerais, and the Modernos e Eternos event.
In 2024, the workshops led by Ana Elisa Murta have evolved significantly, transforming from purely artistic sessions into comprehensive sensory and educational experiences. These workshops are designed for both the general public and corporate audiences. Participants not only engage in artistic practices but also immerse themselves in the ecological paint production process using minerals. They learn painting techniques that stimulate creativity and enhance their artistic skills.
This practical knowledge is supported by a solid theoretical foundation, fostering ecological and environmental awareness among the participants. Ana Elisa’s workshops demonstrate in a practical and engaging way how circular economics can be implemented by showcasing sustainable solutions for waste management. These sessions are designed to inspire participants and equip them with the necessary knowledge to promote positive changes in their lives and within their organizations.
The next stage of its work includes exhibitions in the United Arab Emirates among other countries that have already been invited
and the production of paints on a sufficient scale to paint buildings, aiming to reduce the environmental impact of
toxic commercial paints.